Stalin's Daughter

Non Fiction 2018. 1. 1. 17:00 |



Stalin's Daughter: The Extraordinary and Tumultuous Life of Svetlana Alliluyeva

by Rosemary Sullivan





“What would it mean to be born Stalin’s daughter, to carry the weight of that name for a lifetime and never be free of it?” 



“When Rayle later submitted a mandatory report to the State Department on the defector’s “personality” and her “adaptability to different environments,” he described Svetlana as “the most completely cooperative defector I have ever met.” He said she’d remained cheerful and optimistic throughout the week as they waited in the safe house, even as she took in the shock that the Americans were refusing her asylum. As Rayle put it, “She recognizes that she cannot be considered a normal, ordinary human being and that her actions have political implications. . . . You’ll find her a warm, friendly person who responds to warmth and friendliness. I think you’ll find her genuinely likeable.” He added, “She is a very stable person.” But he warned that she seemed quite naive, as if she’d never lived “in any real world,” and would need help in finding her way in the West.” 



“Russia is quickly (in my opinion) sliding back into the past—with that awful former KGB-SPY now as an acting president! I do hope and believe the people will not vote him into the Presidency—but, then of course elections always could be rigged. . . . "



“All of them knew me, too. They knew that I had been a bad daughter and that my father had been a bad father, but that he had loved me all the same, as I loved him.” This was the one fact she had to hold on to, as if, were she to let go of this belief, she would disappear. Once she said, “It was as though my father were at the center of a black circle and anyone who ventured inside vanished or was destroyed in one way or another.” 



“The truth was that Svetlana did not know what love was. Some deep part of her probably believed she couldn’t be loved. She was still looking for a romanticized, idealized substitute for love. In this she was not unlike many women, though perhaps her case was extreme. She felt she needed a man to invent her or complete her. Her desperation came from the terror of being alone, but who among the men she was drawn to would bind themselves to Stalin’s daughter and take on that darkness?” 



“He said God loved me, even if I was Stalin’s daughter.” The remark suggests a depth of loneliness that is devastating.” 



“They were sitting on a small bench near the Kropotkin Gate when Svetlana mentioned the subject of suicide. Sinyavsky replied, “A suicide only thinks that he is killing himself. He is killing only his body, and the soul after that languishes, for God alone can take the soul.” Svetlana may have remembered Grandmother Olga’s words: “You will know your soul when it aches.” 



“Her laconic humor helped. She could say, “I don’t any longer have the pleasant illusion that I can be free of the label ‘Stalin’s daughter.’ . . . You can’t regret your fate, though I do regret my mother didn’t marry a carpenter." ” 



“Svetlana did not know how to be alone. Alone, she felt totally exposed. She thought she would be safe if only she could entwine her life in another, but then, once she had achieved this, she would feel suffocated, a pattern that would take her decades to break, if she ever succeeded.” 



“Why did Americans smile so often? Was it out of politeness or because of a gay disposition?” Whatever it was, she, who had never been “spoiled with smiles,” found it pleasant!” 



“Her reaction was in character. Svetlana was at heart a gambler. Throughout her life she would make a monumental decision entirely on impulse, and then ride the consequences with an almost giddy abandon. She always said her favorite story by Dostoyevsky was The Gambler.” 



“Who can live without personal retrospect? We will always glance back to our childhood, for we are shaped deep in our core by the impress of our parents, and we will always wonder how that molding determined us. Svetlana willfully believed in her happy childhood, even as she gradually understood that it was secured by untold bloodshed. What was it about this strange childhood that she would always turn to it for solace?” 



“When they were finally alone, Brajesh told Svetlana, with a calm resignation that was both disconcerting and moving, “Sveta, I know that I will die today.” He said he had had a dream of a white bullock pulling a cart. In India when you have that dream, it means death is coming.22 She did not believe him. At seven a.m. that Monday, he pointed to his heart and then to his head and said that he could feel something throbbing. And then he died. Into her mind came the memory of her father’s death, the only other death she had witnessed. She recalled her father’s outrageous struggle, his fear in the face of death, his terrifying last gesture of accusation. Singh’s death was quick and peaceful, his last gesture toward his heart. She thought, Each man got the death he deserved. With Singh’s death, Svetlana felt that something had changed in her. “Some inner line of demarcation” had been drawn. Something was totally lost. She did not yet know what this meant. Oddly, she also felt a kind of peace. She did not cry.” 



“The irony was not lost on her that, because she was Stalin’s daughter—“state property,” as she bitterly called herself—she had been refused permission to accompany Singh to India while he was alive but had been granted a visa to carry his ashes back to his country after he was dead.” 



“She was shocked by the complexity of her own emotions, alternately love and relief: It’s a strange thing, but during those days of illness when he was nothing but a body out of which the soul had flown and later, during the days of leave-taking in the Hall of Columns, I loved my father more tenderly than I ever had before. . . . During those days, when he found peace at last on his deathbed and his face became beautiful and serene, I felt my heart breaking from grief and love. Neither before nor since have I felt such a powerful welling up of strong, contradictory emotions. Perhaps she saw the face of the man he might have been had he not, as she felt, subsumed all his humanity to an idea—the idea of Stalin, the symbol of Soviet power. And strangely, she felt guilt—she had not been a good daughter. “I’d been more like a stranger than a daughter, and had never been a help to this lonely spirit, this sick old man, when he was left all alone on his Olympus.””



“At what seemed like the very last moment he suddenly opened his eyes and cast a glance over everyone in the room. It was a terrible glance, insane or perhaps angry and full of the fear of death and the unfamiliar faces of the doctors bent over him. The glance swept over everyone in a second. Then something incomprehensible and awesome happened that to this day I can’t forget and don’t understand. He suddenly lifted his left hand as though he were pointing to something above and bringing down a curse on us all. The gesture was incomprehensible and full of menace, and no one could say to whom or at what it might be directed. The next moment, after a final effort, the spirit wrenched itself free of the flesh.18 Khrushchev, too, noted the gesture. He thought it simply the final reflex of a dying organism.” 

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